Breaking and Entering
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Will Francis (Law) is a successful architect in the midst of opening a sprawling new office with his business partner Sandy (Martin Freeman) in the crime-ridden King’s Cross area of London. Unfortunately, all of the shiny new Macs and monitors are an irresistible draw for the area crooks, leading to two back-to-back break-ins that leave the partners shell-shocked and deservedly jumpy about security. Will decides to stake out the office at night, setting up patrol outside in his car that yields results when he observes the athletic young thief (Rafi Gavron) trying to break in again. His pursuit of the thief leads him to the thief’s home, where he eventually spots the kid’s somewhat frumpy mother Amira (Binoche). And here’s the exact point where the movie throws all credibility out the window.
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There’s more foolishness regarding the boy’s eventual apprehension and the far-fetched joint efforts of Amira, Will and Liv to free him, but it’s all going through the motions by then since the film has long since lost any chance of redemption. Somehow, a film about infidelity, the plight of refugees, and even parkour urban acrobatics seemed like fertile territory for Minghella’s tale of love lost and found, but he’s never able to produce a convincing reason for viewers to buy into the concept.
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Minghella surely intended to play the criminal break-ins against the emotional manipulations of his leads, asking the audience to ponder which were more morally reprehensible. Regrettably, he forgot to develop a compelling reason for viewers to care about any of his pathetic characters. The refugee aspect adds absolutely nothing to the plot since Minghella offers little commentary about their plight, serving more as a major distraction as viewers try to suspend their disbelief about Binoche portraying a destitute Bosnian. Even the thief’s parkour action scenes seem clumsily grafted onto what is an otherwise weighty drama.
Minghella's films have always seemed overly self-important, but at least in the past he had solid literary origins to fall back upon. Here he’s left to his own devices, sinking the production with his plodding, uninvolving, and completely unbelievable script.
The DVD release adds in six deleted scenes, as well as a commentary track by Minghella and a featurette on the making of the film. Breaking and Entering is now available, check your local retailer for additional information.
Labels: Anthony Minghella, Breaking and Entering, Jude Law, Juliette Binoche, Robin Wright Penn
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